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This suggests it needs to be much better suited for the ES-1 (without extra extension). If scanning these old slides is your only goal, and presuming you currently have the DSLR, and can find an extension tube for DX, you might compare the macro lens expense with a movie scanner. The lens is not a movie scanner of course, and a digital electronic camera will NOT appropriate to copy color negative movie, however it works for slides.
The Nikon 60 mm macro lens is exceptional for any close-up work, and I 'd presume the other comparable lenses are excellent too. I predict the macro would quickly become your preferred lens. This ES-1 setup works extremely well for scanning mounted slides quickly - like magic after you master it.
The macro lens optical quality is extraordinary, however the other aspects are perhaps not genuinely optimal (rush, installing, framing, etc), not the very same as a genuine movie scanner. But still rather simple, and which seems more than sufficient for this function to recapture countless old slides for nostalgic functions.
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Honestly, due to the months of work that would be required on a film scanner, this task went years without occurring at all. Above is a sample image copied from a 1990 35 mm Kodachrome slide, utilizing the ES-1 setup with the D 70S, 6 megapixels (is a cropped 1.5 x body).
The image is substantially bigger than your monitor screen, and to see full size, you might have to save the larger image and view with an image editor, or you could turn off Automatic Image Resizing in your internet browser. The camera macro lens seems the apparent bet for superior optical quality. :-RRB- Results are obviously excellent enough. And did I mention it is very fast? Checking extremes perhaps, but here is the exact same slide copied with a Canon A 620 Power Shot compact video camera (point & shoot) in its macro mode. No additional accessory was utilized - its macro http://edition.cnn.com/search/?text=slides to digital mode gets this close if zoomed to wide-angle.
Pixel dimensions are approximately comparable to scanning at 2500 dpi. This was a rapidly kludged setup for the one image here. (My approach: keep overdoing things to solve the next immediate problem). The electronic camera was on a tripod. The slide was literally standing up on edge on top of a light stand pole, accepted a piece of tape.
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This light was a 150 watt family incandescent lamp (possibly 2900K?) in a ten inch clamp-on utility reflector on a light stand (about 15 https://www.washingtonpost.com/newssearch/?query=slides to digital inches from slide), through a plastic Tupperware tray (yet another light stand) covered with a white bed sheet to diffuse it adequately (this lighted location ought to be a number of feet wide, the slide at Transfer Slides to Digital 1/2 inch is a wide angle circumstance).
The JPG was a little blue, and was changed here with -Blue and +Red. Auto exposure was ISO 100 and 1/80 2nd (time delay shutter to let camera stop shaking). This camera takes 4:3 photos, but the slide was 3:2, so the ends are cropped. Or, a bit more range would have made the image smaller sized so it would all fit, and after that it could have been cropped to 3:2.
A straight edge held to the top railing on the right shows a comparable bow, which is visible. Substantial vignetting (dark corners). This is a quite severe circumstance for the little compact cam lens. Uncertain you would actually want to attempt this, however it can work. I did feel the really strong requirement for a practical slide holder.
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Compacts do not specify their macro recreation ratio, so the calculator can not include them. Many other techniques of holding and lighting up the slide are definitely possible. If you have a longer macro lens, you undoubtedly need something other than the ES-1 anyhow. You simply need a diffused light behind the slide, and an electronic camera and macro lens in front of it.
One typical method puts a lighted white paper or foam board background a foot or so behind the slide, with the camera and macro lens on a tripod in front. Slide holder might be a plastic pill bottle screwed to a board, with a slot cut at leading to hold the slide standing up.
Electronic camera tripod screws are a common 1/4-20 UNC screw (Unified Thread Requirement, coarse thread, 1/4 inch size, 20 pitch per inch), typical in any North American hardware store. Speedlight flash is likewise great for freezing cam shake. Or, merely standing the slide on a routine lighted slide arranging tray is essentially the very same thing, pointing the lens at it, rear lighted.
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The holder should be simple and fast and steady, you don't desire it to move. Here's a cool DIY idea shared by Jim Simpson in Nova Scotia Canada. The grooved mounting for slides is 3/4 inch wood knobs, and it looks really helpful and easy to run. Tokina 100 mm macro lens on Nikon D 7100 cam, using a white screen flashlight app (Android).
White balance is Cloudy, or Shade sometimes (fixing individual slides will differ a little). Installing the video camera and the slide on the same board decreases any possibility of video camera shake. Obviously, these do scanner slides to digital reviews have to be installed at the right distance so that the slide fills your frame at your common 1:1 or 1:1.5 focus distance.