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I am speaking of a DSLR with an excellent macro lens, and the optical quality can be excellent, however hurrying through thousands can miss a few details. And there are other choices too, below. Regardless, the outcomes are more than plenty good enough, presuming the slides are decently exposed, and tidy and in good condition.

If you want to have the ability to see all your old slides again, then a digital video camera can be a really quick method to do it. A Nikon ES-1 slide copy attachment on a Nikon DSLR with a 60 mm f/2.8 D macro lens, and an added 20 mm extension.

To work on a DX video camera (1.5 x crop), the setup as shown also requires an additional 20 mm extension slides to digital austin tube between lens and ES-1 (revealed, however not consisted of). The ES-1 is an empty tube, a slide holder which consists of no glass lens, and is created to hold the slide in front of a 1:1 macro lens (developed for 55 mm focal length on a complete frame body).

This macro lens will be optically superior to a 10x diopter close up filter on a routine zoom lens. $60 may seem pricey for a slide holder, however the task it does is about valuable. This short article was composed for the ES-1. I have not used the more recent ES-2, I have actually just taken a look at its user sheet online.

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The ES-2 also has 52 mm threads, and provides 2 62 mm thread adapters which deal with the full frame camera with both old and brand-new Nikon 60 mm macro lens (the ES-1 does not provide the thread adapters). The Nikon 40 mm lens will fit the 52mm threads, but it is a DX lens, which we are unlikely to own for a full frame video camera.

My guess is this is significantly understated for a DX lens on a full frame body at 1:1 (but additional extension can constantly be included as a complete solution for the 40 mm or 60mm lenses http://query.nytimes.com/search/sitesearch/?action=click&contentCollection&region=TopBar&WT.nav=searchWidget&module=SearchSubmit&pgtype=Homepage#/slides to digital on bodies with cropped sensing units. Using a proper extension with this 40 mm DX lens on a complete frame body to extend the holder even more out would not crop, however then it will be a smaller image, about 2/3 size, just right for a cropped sensor, but which obviously can not then fill a complete frame sensing unit.



The extension required for the ES-2 perhaps might be a little different than the ES-1. The ES-2 is said to be designed for the D 850 cam, obviously due to the fact that the D 850 has a direct color unfavorable inversion mode, discussing the factor for the provided movie strip holder. However it does imply a complete frame body (unless additional extension Transfer Slides into Digital Format is used as explained here).

The ES-2 has to do with double rate of the ES-1, and and the ES-1 must easily do mounted 35 mm slides completely too (however cropped sensing unit bodies will require to add additional extension with either photo copier). The ES-1 is NOT a requirement to copy slides. It is for 35 mm slides, and is designed for a 55 mm 1:1 macro lens and a complete frame body (crop aspect 1).

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An APS cropped sensor body (crop element 1.5) can use the ES-1 with 40 to 60 mm macro lenses, however perhaps needing an appropriate short extender tube (below). This extension length restricts a longer lens with the ES-1. Nevertheless, several other types of setups (without an ES-1) can of course quickly work if you can make a way to hold the slide to aim any macro lens at it, with the slide evenly lighted from the back.

Said once again: The ES-1 is developed for a 55 mm macro lens at 1:1 on a complete frame cam. The ES-1 will not appropriate for lenses really much longer, for example, not with 90 or 105 mm. That may still be imaginable if enough included extension (several inches) is possible, but that doesn't appear a common strategy.

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However, other plans not utilizing the ES-1 needs to of course deal with any focal length at any distance. A lot of cases of cam slide copy operations will require a crop of each finished copy to set precise borders. Raw images and software application can make this crop very simple, possibly done as one bulk operation for all (or numerous).

The very best movie scanners were 4000 dpi, and it was discussed then that 3000 dpi was plenty to deal with film detail. A 12 to 24 megapixel electronic camera with 1:1 macro lens is rather capable of getting the all the resolution that a regular 35 mm slide needs to give. And the high quality video camera macro lens is excellent, compared to what remains in $200 scanners.

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Finest case is a slide copy allowing one movie measurement to fill the frame (slides smaller sized than the video camera sensing unit will not fill the frame at 1:1). There is a calculator for copying https://eduardoxdab260.shutterfly.com/130 slides with a digital video camera and macro lens. It calculates the essential magnifications and size results, and is basic purpose, NOT just for https://en.search.wordpress.com/?src=organic&q=slides to digital the ES-1.

This short article has to do with utilizing the ES-1. Nevertheless, the ES-1 is not always required, it is just a slide holder. There certainly are other easy ways without it, or for larger film, or longer lenses. Simply put the video camera on a tripod and objective it at the slide, lighted from behind.

So, you can simply develop some way to place the film at the best distance out in front of the macro lens. The slide holder will be the only difficult part, however it need not be elaborate (you will finish all your slides quite early, and run out usage for it.) The electronic camera lens should be 90 degrees straight onto the slide.